When we went in the security forced me to check my bag, so I had to leave my bottle of water behind, but I did get my camera in, so I have pictures (and scans). Despite the delay at the coat check we got right in front, wedged in between Jonathan's and Victor's monitors. Also on the way in I'd picked up a pass to the "after party" and a coupon for a free beer. I didn't figure I'd need either of them—I didn't want any beer and I didn't see any point in going to the after party if
Then the waiting began. That is my least favorite part of going to a show. There was a moment of amusement for me when a drunk man came along and started hitting on
We heard one of the guys in the crew telling another one that the Damnwells had called and said there was a 50/50 chance that they would make it on time...I was kind of hoping they wouldn't make it and then Camper would just play two sets, although there were very few people there by seven (when the show was supposed to start), which probably wouldn't have made it a very fun audience for them to play for at that time.
But the Damnwells arrived just a bit late. They apparently came straight out of the minivan onto the stage and then started playing immediately, which was kind of a neat trick. David's amp had been moved to the middle of the stage for the lead singer of the Damnwells, so his guitar was pretty much all I could hear. This made the set less enjoyable for me than it could have been, but at least it didn't last very long.
After that the Camper guys kept wandering onstage to check their gear. Every time one of them came out the crowd would cheer, and the guys seemed amused every time but also genuinely touched. Aww! There were new guitars all around again: David had a (reddish-brown, I think) Surfcaster, yay! (Turned out it was a loaner, though.) Greg had a Les Paul, in a beautiful natural finish, but a bit darker, more like a honey tone, and at first that Ibanez that Greg and David had used in Indianapolis was set up for Jonathan, but it was switched for the black mirrored Strat before the show started.
The show was great, as usual. I don't think I need to go into too much detail about it—eventually Jay will put it up on the CVB archive and you can download it in the format of your choice and hear it for yourself. They were pretty chatty tonight, though, which is always fun. They did Abundance, which somebody had requested back in Minneapolis (I think) to be played here. That didn't stop a guy from asking for it again later on. (David: "We played that one!") And That Gum You Like was the first time I'd ever seen Greg play acoustic guitar, ever. Crazy!
They came back onstage for the encore, and David was like, "Somebody must have a cigarette for me," so somebody passed him one. When he started puffing on it I said, "If he's smoking, they have to play an instrumental" (which they did: L'Aguardiente). After that David called for requests, and I yelled "Waka" about a million times, but he was way on the other side of the stage and everybody else was yelling too, so perhaps he couldn't hear me. They did Life Is Grand and maybe something else before that, I can't remember, and then David decided to do Duty Free, written by Chicagoan Ike Reilly. "It's a good thing Ike isn't in town tonight," he said, "'cause he'd make me go to a strip club or something." Victor laughed: "Yeah, he'd 'make' you."
So they were playing the song and while they were doing that this very exciting thing happened: Jonathan's setlist was way back out of sight behind his monitor, so he put his foot on it and slid it out for me to take. Whoopee! Actually I had already taken Victor's during the break (they don't write the encore on the setlist, so he didn't need it anymore), and I had felt kinda bad about snatching it from
And see, you'd think that was already an awesome enough thing to happen at the show, but it was only the beginning.
David had announced several times during the show that afterwards there'd be a meet'n'greet at Hi-Fi Records next door. And I'd had an email or read it on a website somewhere before the show that that would indeed be taking place, but then later had gotten another email saying that in fact there would only be the "after party" up in the balcony afterwards, and would be 21+. Well, if the record store thing was still going on, that seemed way preferable since there was no age restriction, so
Then we met Velena (I think that was her name; I wish I knew for sure, and also her address, so
I felt really weird about it (and then the nervous giggling started, of course, which never helps), but the guys were all really nice and relaxed about it, as if it were nothing unusual to have two unknown girls standing around their dressing room. (Perhaps it's not...but anyway) Velena put a Sharpie into
Jonathan: called us "superfans."
Greg: I asked him if this Les Paul was his permanent replacement guitar, and he said no, but he was probably going to get one. He's a Fender-to-Gibson convert!
Frank: asked me, "haven't I seen you around before?" The answer is yes.
Victor: thanked me for driving down to Indy to see them. I told him I think he looks good in plaid.
David: was about to go to the meet'n'greet, but Jonathan stopped him and told him to sign our things for us. Aw, thanks, Jonathan!
Well, we didn't really need anything else after that, but Velena caught up with us again and suggested we follow the band (they'd gone up some stairs). My fandom having been more than satisfied at this point, I asked about something which I was very interested in: "Is there pizza?" and she repeated, "Go on up." So up we went. There were signs saying "to stage" but we continued upward and arrived at the balcony instead. And there was pizza.
The confusion downstairs still hadn't been entirely cleared up, I think, so there weren't many people up there. We had some pizza and then
So, we went out, feeling completely giddy. I said to
Cool.

Comments
I'm still amazed that it acutally happened. Maybe Velena will be with them on some other concert, and we could thank her even more then. She is just too cool.
Still have that sharpie, btw... heh.
Well, it does say "Camper Van Beethoven" on it, although the resolution's not that good so you have to look carefully to see it...
Also, somebody emailed me with Velena's email address, so now we have to decide what to say in our thank-you note. Yay!
The last time I saw CVB, the place was fairly vacant during the openers' sets. I guess I can see getting there a little late if there's an opener you're not interested in (and in this case, there were TWO openers), but I've seen other artists (TMBG and Ben Folds, for instance) at the same venue where the place was pretty much totally full before the opener started. I'm not sure whether that was because they were actually interested in seeing the openers, or because they were more concerned about getting good spots. I have noticed that TMBG shows usually have more people showing up incredibly early than shows by other bands I've seen.
I always see people talk about how they got to meet some musician or other, and I have to wonder why that's never happened for me (except in instances where everyone gets to meet them, like at in-stores and such). Am I doing something wrong, or is it just bad luck?
But I guess it's a mixture of persistence and luck. Like when we went to the record store and then were told the meet'n'greet was actually back at the club, we didn't just give up and leave; we asked Velena about it (because we happened to be standing near her). And then it turned out she was with the band. Neat.
Do you like Cracker too? I only have one album of CVB's (Key Lime Pie). I didn't find it very musically accessible at the time. The only thing I would play on it was "Matchstickmen" *ducks, as she avoids a true fan's contemptuous sneer*. I'll have to go back and listen to it.
(Key Lime Pie). I didn't find it very musically accessible at the time
Yeah, I don't think accessibility is the top item on their list of aesthetic goals. :P Still, generally they're not difficult to listen to. KLP is pretty dark (subject- and music-wise) compared to their earlier stuff. But I think it's a brilliant record. There was actually a time when it was my least favorite and I never listened to it, and then one day I picked it up again and thought, "Damn, this is good, I can't believe I neglected it for so long." Our Beloved Revolutionary Sweetheart is absolutely my favorite though. But now that I think of it, I don't even have a least favorite of their albums anymore.
that is all. :P